Touch the screen or click to continue...
Checking your browser...
aidegap.pages.dev


Benedetto croce estetica wigs

          Title: Estetica - Parte Seconda: Storia: Vol. Author: Benedetto Croce.

        1. Characteristic designs were found on their shields; they skilfully painted the gem boards which marked the names and numbers of the beasts they were giving to.
        2. Benedetto Croce's Philosophy of the Spirit, in the English translation by Douglas Ainslie, consists of 4 volumes (which can be read separately).
        3. From history in general, not just the history of philosophy, both Croce and Collingwood felt a stimulus that seldom moves philosophers now writing in English.
        4. Berkeley exploited certain theoretical potentials of the emerging aesthetic experience that was invented and formulated especially by his contemporaries.
        5. Benedetto Croce's Philosophy of the Spirit, in the English translation by Douglas Ainslie, consists of 4 volumes (which can be read separately)....



          EN  → NL


          CROCE'S AESTHETICS

          Croce's philosophy comprises two parts: one on the theoretic and one on the practical.

          The part on the theoretic consists of aesthetics (intuition and expression, the phenomenal, the domain of beauty), and logic (concepts and relations, the noumenal, the domain of truth). The part on the practical consists of economics (the domain of utility), and ethics (the domain of the good).

          The theoretical part is about knowledge.

          Knowledge is either intuitive (obtained through imagination and individual), or logic (obtained through reason and universal).

          Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste.

          Intuition creates images, logic concepts. The image cannot exist apart from its expression: a thought is not thought unless it be formulated in words, and a musical image exists only when it becomes concrete in sounds. Next to expression, there is also 'externalisation' (XV) that enables the reproduction of the expression in the mind.

          Intuïtive or expressive kn